Starting with excerpts from seven different pieces (Zachacha, Sabotage Baby, Black Milk, Passomezzo, Anaphaza, Queens of Golub et Mabul), Ohad Naharin has succeeded in creating a single work, unique and whole, that at no point feels like an arbitrary collage. At the finale, he pays a magnificent tribute to dance and to dancers themselves, with the company's performers speaking in voice-over throughout the piece, telling their own stories and talking about their relationships with dance.
