Timber Timbre’s violinist, Mika Posen, is the one member of the group still based in Toronto. But, by the sound of it, she might be convinced to move to lovely Montreal…
Results for show
Last week in Montreal, writer and director, Robert Lepage, unveiled Cirque du Soleil’s brand new show, Totem. As cleverly explained by my colleague Daniel Baylis, Totem is a voyage through the evolution of the human species. Surprisingly, it was a long-time dream for the notorious playwright to finally direct one of the Cirque’s touring shows (Lepage had previously directed Cirque du Soleil’s Kà, which is presented at the MGM Grand in Vegas).
“Ronnie Burkett is one of the geniuses of the world… seeing his troupe every few years has just become a necessity of civilized theatergoing.” – The Village Voice (New York, NY) —————————————————————————————————————— Puppetry is an under-celebrated art form. As children, many of us enjoyed gluing faces on popsicle sticks and acting out creative, comic scenarios. Then we grew up, and we seemed to lose track of our ability to play. Ronnie Burkett, however, Canada’s most celebrated puppeteer, never abandoned his sense of wonderment. For the past 30 years, Burkett has been giving life to marionettes, exploring various themes such as loneliness, beauty and happiness. His most recent creation, Billy Twinkle, is about a middle-aged cruise ship puppeteer who gets fired and is force to rekindle inner passions. Burkett has received critical and public acclaim in Australia and the UK, and his final stop with this production with be in Montréal. I chatted with Burkett about life as a puppeteer, the challenges of creating marionettes and some of his favorite Montréal haunts.